Presenting at the Philadelphia Avant-Garde Studies Consortium

I had a great time at the symposium of the Philadelphia Avant-Garde Studies Consortium on December 7, 2018. I read my paper "Abstract Machines in Experimental Music," on the idea of the machine in the writings of Ross Ashby and parallels in the work of British composer John White. This is the first paper I've presented as part of my new research project on music, systems, and cybernetics in twentieth-century music. 
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