On Thursday, Nov. 7, 2013 I took part in a panel discussion of "critical organology" at the annual meeting of the American Musicological Society in Pittsburgh. The panel brought together a group of scholars working in different disciplinary and historical traditions whose research touches on the relationship between technology and aesthetics and the role of instruments in musical experience.
The panel was moderated by Emily Dolan and included Joseph Auner, Eliot Bates, J. Q. Davies, Jonathan De Souza, Bonnie Gordon, Ellen Lockheart, Deirdre Loughridge, and Roger Mosely.
The panel was moderated by Emily Dolan and included Joseph Auner, Eliot Bates, J. Q. Davies, Jonathan De Souza, Bonnie Gordon, Ellen Lockheart, Deirdre Loughridge, and Roger Mosely.
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